![]() ![]() ![]() So, the next time you have cutlery, knives, guns, jewelry, or anything shiny in your shot, remember these tips and play with light to get the most details out of those reflective objects.Afghanistan, Africa, American Samoa, Anguilla, Bahamas, Barbados, Belarus, Bermuda, Bolivia, Botswana, Cayman Islands, Central African Republic, Central America and Caribbean, Chad, Comoros, Cook Islands, Côte d'Ivoire (Ivory Coast), Democratic People's Republic of Korea, Djibouti, Ecuador, El Salvador, Europe, Falkland Islands (Islas Malvinas), Fiji, French Polynesia, Gambia, Guam, Guernsey, Guinea-Bissau, Guyana, Honduras, Jamaica, Jersey, Kiribati, Libya, Macedonia, Madagascar, Malawi, Maldives, Marshall Islands, Mayotte, Micronesia, Middle East, Moldova, Mongolia, Morocco, Nauru, Nepal, New Caledonia, New Zealand, Nicaragua, Niue, North America, Palau, Papua New Guinea, Paraguay, Republic of Cuba, Reunion, Russian Federation, Rwanda, Saint Pierre and Miquelon, San Marino, Senegal, Sierra Leone, Solomon Islands, Somalia, South America, Southeast Asia, Sudan, Suriname, Svalbard and Jan Mayen, Swaziland, Syria, Tonga, Trinidad and Tobago, Tunisia, Tuvalu, Vanuatu, Venezuela, Virgin Islands (U.S. You’ll find a helpful explanation about it here. Last but not least, when you shoot shiny metal objects, pay attention to the angle of incidence a.k.a. At the end of the video, you can really see how the image improves and the knife gets more details as Jay builds up the lighting set. Jay uses a bit of putty to slightly angle the knife towards the camera, so the logo on the blade really stands out. Other than playing with lights, reflectors, and flags, you can also adjust the angle of the product you’re shooting. Finally, he adds another white reflector on the other side of the dagger. Then, he adds a light at the back, with a blue gel to add a bit of a cold vibe to the steel. However, since the overall shot is a bit dark, he adds a white reflector to bring back some of the highlights. Last but not least, when you shoot shiny metal objects, pay attention to the angle of incidence. Even at this point, the result is already much better! Jay uses a bit of putty to slightly angle the knife towards the camera, so the logo on the blade really stands out. Jay guides you through his process of building a lighting set for this particular blade, and he starts by bringing in a black card at the same angle as his softbox. So, instead of shining your light straight into the product, you want to create a gradation on the metal. It makes the blade look dull, almost like plastic, and loses all of the details. ![]() It may seem like a perfect solution – but it’s really not. When he points the light straight into it, it reflects it and shines bright in the image. It also comes with two 33-inch umbrellas and three 45W fluorescent light bulbs, so it’s ready to use out of the bag. This kit includes two 86-inch adjustable stands and one 28-inch tabletop stand that allows for a range of setups. The idea is that you have matching windows on both sides of the box. It’s super lightweight at only ten pounds and comes with its own carrying bag, making it usable for travel. Now, turn it over onto the opposite side and repeat the process. This way you’ll have a sort of frame for the window. Self contained in an 18' x 13' x 7' Polyethylene Attach Case. Draw a rectangle about one inch from the edge. (Camera not included.) Rubber Bulb Air Blower / Duster. As an example, Jay photographs a beautiful dagger with a shiny blade and a gorgeous metal handle. 8' fluorescent 'Full Spectrum' Circline lighting system for even, balanced lighting. ![]()
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